by Susan Dykes
Every once-in-awhile a collection comes our way that, at first, looks to be unassuming but upon further investigation turns into quite an interesting story. Last fall, the UWM Archives shared with AGSL, a small collection of photographs taken by the late Dr. Harriet H. Werley (b. 1914 – d. 2002), Distinguished Professor in the UWM College of Nursing. The photographs were included in the Harriet H. Werley Papers, a collection that “documents Harriet H. Werley’s long and distinguished nursing career…” Werley took these photographs while she was serving in the United States Army Nurse Corps (ANC), between 1941 and 1944, in the Mediterranean theater during World War II.
Among the 210 photographs, Werley captured the landscape and places of interest in Algeria, France, Italy and Morocco. Although she was in active service, her photos were primarily taken from a tourist’s perspective. She appears in only one image, at the Pitti Palace in Florence, wearing her Army nurse’s uniform and a delightful smile on her face.
Others show a military parade moving through the streets of Oran, Algeria; the Sultan’s Palace in Casablanca, Morocco; ruins of the Great Mosque of Mansoura, Algeria; the Port of Oran and Fort Santa Cruz, Algeria; military nurses touring the gardens at Versailles, France; the waterfront at Cannes, France; an American military Fourth of July fair in Livorno, Italy; an American Military horse race in Pisa, Italy; and many other historic, tourist spots.
However, even Werley’s tourist eye couldn’t escape the harsh reality of the war. In one photo she captures a cross at the grave of a German soldier buried in Italy. In others she shows how life continued on as people made their way around bombed out buildings in Florence and Livorno, and the bombed out remnants of buildings and abandoned military bunkers in Cannes.
As a whole, the collection provides a sense of Werley’s experience, as an American nurse serving in a foreign land, documenting her travels and touching upon the overarching reason she was there.
What I find most fascinating about Harriet Werley, is her photographs not only serve to document World War II, they also represent a precursor to what will turn out to be Werley’s extraordinary career in nursing research and health care informatics. After the war, Werley worked in the Office of the Surgeon General, was assigned to the Department of Atomic Casualties Studies at the Walter Reed Army Institute of Research, and then she was appointed Chief of the Department of Nursing. She became Chief Nurse for the U.S. 8th Army Headquarters in Korea in 1962 and retired, as Lieutenant Colonel, from the Army Nurse Corps in 1964.
According to the U.S. Army Medical Department, it was at Walter Reed that she became “dismayed” at the lack of research positions and the realization that nurses were not more involved in studies. As a result she decided to concentrate her career on nursing research. After obtaining her Ph.D. in 1969, she promoted nursing research development through faculty and administrative positions at a variety of universities, including the University of Wisconsin – Milwaukee, became founding editor of Research in Nursing and Health and the Annual Review of Nursing Research, and was instrumental in the development of a Nursing Minimum Data Set (NDMS). As described in the Journal of the American Medical Informatics Association, Werley “…became the first nurse informatician even before the field had been named.” While at the University of Wisconsin – Milwaukee, she participated in IBM sponsored conferences to “identify data processing needs in health care and the potential for computer applications.”
This little, unassuming, yet historically important collection, turned out to be originated by a woman who, according to Laurie K Glass RN, PhD, FAAN, Professor Emerita and Director, Center for Nursing History, UW- Milwaukee College of Nursing, “…pioneered the use of computers and informatics in the health care arena.” We are pleased to be able to make available Harriet H. Werley’s images in the AGSL collections.
See all of Harriet H. Werley’s images in the American Geographical Society Library Digital Photo Archive:
See the finding aid for the Harriet H. Werley Papers:
A salute to one of our own. Harriet Helen Werley. (n.d.) U. S. Army Medical Department, Office of Medical History. U.S. Army. Retrieved from http://history.amedd.army.mil/ancwebsite/articles/harrietwerley.html
Ozbolt JG. Harriet Helen Werley, PhD, RN, FAAN, FACMI: Lieutenant Colonel, U.S. Army (Ret.) October 12, 1914—October 14, 2002. Journal of the American Medical Informatics Association : JAMIA. 2003;10(2):224-225. doi:10.1197/jamia.M1276. Retrieved from https://www.ncbi.nlm.nih.gov/pmc/articles/PMC150375/
By Susan Dykes
I was recently asked what my favorite image is in the Harrison Forman Collection. Having become intimately familiar with tens of thousands of images Harrison Forman took, it was an overwhelming and almost impossible request to say the least. There are so many! Harrison Forman, photojournalist and adventurer, travelled the world from the 1930s through the 1970s. He was prolific, wielding his camera to capture major historical events, and the economies, infrastructures, politics, societies, educational systems, and cultures of the places he visited.
By far my favorite kinds of images Forman took are of the people living in many of these places, asking them to take a moment from their daily lives practicing their trades, spending time with their families, and simply enjoying life, to pose for a photo. Of the thousands of portraits and group photos he took, I found those of the Berber people living in the Atlas Mountains in Morocco among the most striking and beautiful in the collection.
My favorite image, taken in the 1960s, shows a Berber woman in the foreground, eyes closed, wearing a delicate lace veil and coin jewelry, two Berber men behind her in traditional clothing wearing turbans, and another man in the background, photo bombing the shot.
There’s something very serene about the woman. Perhaps she just blinked, but I choose to think she was soaking up the sun on her face and possibly the moment. The two men, eager to be a part of the photograph, looking directly at the camera and the man in the back with a look of wonder, curious about the activity.
Forman’s enthusiasm about documenting people and cultures outside of the Western world is evident in this photograph. He wanted to share the beauty of people in places unfamiliar to us at the time of his work, which in an historical context, makes a much richer scholarly endeavor today.
While this image is in black and white, as well as the other images of the Berbers in the UWM Libraries Digital Collections online, the Harrison Forman Collection includes over 50,000 color slides that have yet to be digitized, some of which Forman took of the Berber people. It is our hope that we will be able to obtain the funding to digitize the slides in the near future and make them accessible online, in all their full color glory!
In the meantime, check out the rest of Forman’s images of the Berber people in Morocco:
And, explore images of the other people around the world Forman photographed:
If you have questions about the Harrison Forman Collection, or would like to know more about the color slides, please contact Susan Peschel at the American Geographical Society Library.